エレファントカシマシ

尾崎豊

Neil Sorrell

Improvisation is among the most widely practised yet least understood methods of music-making. Its impermanence and resistance to accurate preservation make it one of the most difficult of topics to research and document.
The word itself poses all kinds of problems, not only because of its extensive and vague applications to music, but also because of its usage in everyday speech, conveying something that is insufficiently prepared and of no lasting value (for example ‘an improvised shelter’). …
Another major problem is the assumption that improvisation can be defined in an absolute, hence universal, way. Discussions therefore tend to begin with such a definition, but are almost immediately compelled to investigate improvisation within a particular culture and context. How far these detailed examinations relate to each other and to the central, common definition is not always made clear.

Carly Simon

Nobody Does it Better

Nobody does it better / Though sometimes I wish someone could
Nobody does it quite the way you do / Why'd you have to be so good?
The way that you hold me / Whenever you hold me / There's some kind of magic inside you
That keeps me from runnin' / But just keep it comin' / How'd you learn to do the things you do?
Nobody does it better / Makes me feel sad for the rest
Nobody does it half as good as you / Baby, you're the best

Luke Edwards

Tal Wilkenfeld

Imogen Heap, Jeff Beck, Tal Wilkenfeld, Vinnie Colaiuta, Jason Rebello

りりィ

エレファントカシマシ

Boz Scaggs

Fender

Gibson

KORG

Lead Belly

池田なみ、サバオ渡辺

Som Sabadell

Maurizio Pollini

Sonny Rollins

Lou Reed

りりィ

うららかな春を　もっと近くで見たい
草のなかで　静かに静かに目をつぶり
人目につくよ仲のいい蝶々　早くどこかに隠れなさい
いまただ眠りたいよ　この暖かいなかで　おやすみ

こんど目を覚ます　その時も陽は
草のなかの　小さな小さな私にも
恋をする幸せな胸を　愛の光で包ませて
いまただ眠りたいよ　この暖かいなかで　おやすみ