The Lictors Bring to Brutus the Bodies of His Sons is a 1789 painting by the French painter Jacques-Louis David in the Neo-Classical manner.
The work is housed in the Louvre in Paris.
The work had tremendous appeal for the time. Before the opening of the Salon, the French Revolution had begun. The National Assembly had been established, and the Bastille had fallen. The royal court did not want propaganda agitating the people, so all paintings had to be checked before being hung. David’s portrait of Lavoisier, who was a chemist and physicist as well as an active member of the Jacobin party, was banned by the authorities for such reasons. When the newspapers reported that the government had not allowed the showing of The Lictors Bring to Brutus the Bodies of His Sons, the people were outraged, and the royals were forced to give in. The painting was hung in the exhibition, protected by art students. The painting depicts Lucius Junius Brutus, the Roman leader, grieving for his sons. Brutus's sons had attempted to overthrow the government and restore the monarchy, so the father ordered their death to maintain the republic. Thus, Brutus was the heroic defender of the republic, at the cost of his own family. On the right, the Mother holds her two daughters, and the servant is seen on the far right, in anguish. Brutus sits on a klismos on the left, alone, brooding, but knowing what he did was best for his country. The whole painting was a Republican symbol, and obviously had immense meaning during these times in France.
Note Brutus' tense, crossed feet in the picture, the sharp scissors that lay dead in the center of the painting, and the use of light and dark to draw a distinction between Brutus and his wife. Brutus does not even look back as his headless sons are brought into the room.
Julius Caesar of Roman Republic Garibaldi of Italy Emilio Aguinaldo of Philippines From Józef Chlopicki to Romuald Traugutt of Poland Nazarov and Tarkovsky of Russia Adolf Hitler of Gernamy Amin Dada of Uganda Zine El Abidine Ben Ali of Tunisia Muhammad Hosni Sayyid Mubarak of Egypt Muammar Gaddafi of Libya Bashar Al-Assad of Syria Ali Abdullah Saleh of Yemen Gurbanguly Berdymuhammedov of Turkmenistan Islam Karimov of Uzbekistan Robert Mugabe of Zimbabwe Omar al-Bashir of Sudan Isayas Afewerki of Eritrea Teodoro Obiang Nguema of Equatorial Guinea Meles Zenawi of Ethiopia Idriss Déby of Chad King Mswati III of Swaziland Paul Biya of Cameroon King Abdullah of Saudi Arabia Alexander Grigoryevich Lukashenko of Belarus Kim Jong-Il of North Korea
The Lictors Bring to Brutus the Bodies of His Sons is a 1789 painting by the French painter Jacques-Louis David in the Neo-Classical manner.
ReplyDeleteThe work is housed in the Louvre in Paris.
The work had tremendous appeal for the time. Before the opening of the Salon, the French Revolution had begun. The National Assembly had been established, and the Bastille had fallen. The royal court did not want propaganda agitating the people, so all paintings had to be checked before being hung. David’s portrait of Lavoisier, who was a chemist and physicist as well as an active member of the Jacobin party, was banned by the authorities for such reasons. When the newspapers reported that the government had not allowed the showing of The Lictors Bring to Brutus the Bodies of His Sons, the people were outraged, and the royals were forced to give in. The painting was hung in the exhibition, protected by art students. The painting depicts Lucius Junius Brutus, the Roman leader, grieving for his sons. Brutus's sons had attempted to overthrow the government and restore the monarchy, so the father ordered their death to maintain the republic. Thus, Brutus was the heroic defender of the republic, at the cost of his own family. On the right, the Mother holds her two daughters, and the servant is seen on the far right, in anguish. Brutus sits on a klismos on the left, alone, brooding, but knowing what he did was best for his country. The whole painting was a Republican symbol, and obviously had immense meaning during these times in France.
Note Brutus' tense, crossed feet in the picture, the sharp scissors that lay dead in the center of the painting, and the use of light and dark to draw a distinction between Brutus and his wife. Brutus does not even look back as his headless sons are brought into the room.
Life is not easy for:
ReplyDeleteJulius Caesar of Roman Republic
Garibaldi of Italy
Emilio Aguinaldo of Philippines
From Józef Chlopicki to Romuald Traugutt of Poland
Nazarov and Tarkovsky of Russia
Adolf Hitler of Gernamy
Amin Dada of Uganda
Zine El Abidine Ben Ali of Tunisia
Muhammad Hosni Sayyid Mubarak of Egypt
Muammar Gaddafi of Libya
Bashar Al-Assad of Syria
Ali Abdullah Saleh of Yemen
Gurbanguly Berdymuhammedov of Turkmenistan
Islam Karimov of Uzbekistan
Robert Mugabe of Zimbabwe
Omar al-Bashir of Sudan
Isayas Afewerki of Eritrea
Teodoro Obiang Nguema of Equatorial Guinea
Meles Zenawi of Ethiopia
Idriss Déby of Chad
King Mswati III of Swaziland
Paul Biya of Cameroon
King Abdullah of Saudi Arabia
Alexander Grigoryevich Lukashenko of Belarus
Kim Jong-Il of North Korea